Reading Master and Margarita - 28

Chapter 28

The Last Adventures of Koroviev and Behemoth

So, Woland and his team leave the flat as they have to go back to their world.

A little later Woland, Azazello and Hella go somewhere else, and Koroviev and Behemoth enter a shop, Torgsin, on the Smolensky Market, where they accept only foreign currency. 

Bulgakov uses this episode to show how the foreigners are given undue importance and how the native Russians sometimes present themselves as foreigners to take advantage of many things which are hitherto not accessible to them. This is how the episode is depicted:

“…they first of all looked around, and then, in a ringing voice heard decidedly in every corner, Koroviev announced:

'A wonderful store! A very, very fine store!'

The public turned away from the counters and for some reason looked at the speaker in amazement, though he had all grounds for praising the store.

…..

… Koroviev and Behemoth made straight for the junction of the grocery and confectionery departments. Here there was plenty of room…

A short, perfectly square man with blue shaven jowls, horn-rimmed glasses, a brand-new hat, not crumpled and with no sweat stains on the band, in a lilac coat and orange kid gloves, stood by the counter grunting something peremptorily. A sales clerk in a clean white smock and a blue hat was waiting on the lilac client.

With the sharpest of knives, much like the knife stolen by Matthew Levi, he was removing from a weeping, plump pink salmon its snake-like, silvery skin. `This department is splendid, too,' Koroviev solemnly acknowledged, 'and the foreigner is a likeable fellow,' he benevolently pointed his finger at the lilac back.

'No, Fagott, no,' Behemoth replied pensively, `you're mistaken, my friend: the lilac gendeman's face lacks something, in my opinion.'

The lilac back twitched, but probably by chance, for the foreigner was surely unable to understand what Koroviev and his companion were saying in Russian.

'Is good?' the lilac purchaser asked sternly.

Top-notch!' replied the sales clerk, cockily slipping the edge of the knife under the skin.

'Good I like, bad I don't,' the foreigner said sternly.

'Right you are!' the sales clerk rapturously replied.

Here our acquaintances walked away from the foreigner and his salmon to the end of the confectionery counter.

'It's hot today,' Koroviev addressed a young, red-cheeked salesgirl and received no reply to his words. 'How much are the mandarins?' Koroviev then inquired of her.

'Fifteen kopecks a pound,' replied the salesgirl.

'Everything's so pricey,' Koroviev observed with a sigh, 'hm ... hm ...' He thought a little longer and then invited his companion: 'Eat up, Behemoth.'

The fat fellow put his primus under his arm, laid hold of the top mandarin on the pyramid, straight away gobbled it up skin and all, and began on a second.

The salesgirl was overcome with mortal terror.

'You're out of your mind!' she shouted, losing her colour. 'Give me the receipt! The receipt!' and she dropped the confectionery tongs.

'My darling, my dearest, my beauty,' Koroviev rasped, leaning over the counter and winking at the salesgirl, 'we're out of currency today ... what can we do? But I swear to you, by next time, and no later than Monday, we'll pay it all in pure cash! We're from nearby, on Sadovaya, where they're having the fire ...'

Behemoth, after swallowing a third mandarin, put his paw into a clever construction of chocolate bars, pulled out the bottom one, which of course made the whole thing collapse, and swallowed it together with its gold wrapper.

The sales clerks behind the fish counter stood as if petrified, their knives in their hands, the lilac foreigner swung around to the robbers, and here it turned out that Behemoth was mistaken: there was nothing lacking in the lilac one's face, but, on the contrary, rather some superfluity of hanging jowls and furtive eyes.

Turning completely yellow, the salesgirl anxiously cried for the whole store to hear:

'Palosich! Palosich!'

The public from the fabric department came thronging at this cry, while Behemoth, stepping away from the confectionery temptations, thrust his paw into a barrel labeled 'Choice Kerch Herring', pulled out a couple of herring, and swallowed them, spitting out the tails.

'Palosich!' the desperate cry came again from behind the confectionery counter, and from behind the fish counter a sales clerk with a goatee barked:

'What's this you're up to, vermin?'

Pavel Yosifovich was already hastening to the scene of the action. He was an imposing man in a clean white smock, like a surgeon, with a pencil sticking out of the pocket. Pavel Yosifovich was obviously an experienced man. Seeing the tail of the third herring in Behemoth's mouth, he instantly assessed the situation, understood decidedly everything, and, without getting into any arguments with the insolent louts, waved his arm into the distance, commanding:

'Whistle!'

The doorman flew from the mirrored door out to the corner of the Smolensky market-place and dissolved in a sinister whistling. The public began to surround the blackguards, and then Koroviev stepped into the affair.

'Citizens!' he called out in a high, vibrating voice, 'what's going on here? Eh? Allow me to ask you that! The poor man' - Koroviev let some tremor into his voice and pointed to Behemoth, who immediately concocted a woeful physiognomy - 'the poor man spends all day reparating primuses. He got hungry ... and where's he going to get currency?'

To this Pavel Yosifovich, usually restrained and calm, shouted sternly:

'You just stop that!' and waved into the distance, impatiently now. Then the trills by the door resounded more merrily. But Koroviev, unabashed by Pavel Yosifovich's pronouncement, went on:

'Where? - I ask you this entire question! He's languishing with hunger and thirst, he's hot. So the hapless fellow took and sampled a mandarin. And the total worth of that mandarin is three kopecks. And here they go whistling like spring nightingales in the woods, bothering the police, tearing them away from their business. But he's allowed, eh?' and here Koroviev pointed to the lilac fat man, which caused the strongest alarm to appear on his face. `Who is he? Eh? Where did he come from? And why? Couldn't we do without him? Did we invite him, or what? Of course,' the ex-choirmaster bawled at the top of his lungs, twisting his mouth sarcastically, 'just look at him, in his smart lilac suit, all swollen with salmon, all stuffed with currency - and us, what about the likes of us?! ... I'm bitter! Bitter, bitter!' Koroviev wailed, like the best man at an old-fashioned wedding.

This whole stupid and probably politically harmful speech made Pavel Yosifovich shake with wrath, but, strange as it may seem, one could see by the eyes of the crowding public mat it provoked sympathy in a great many people. And when Behemom, putting a torn, dirty sleeve to his eyes, exclaimed tragically:

`Thank you, my faithful friend, you stood up for the sufferer!' - a miracle occurred. A most decent, quiet little old man, poorly but cleanly dressed, a little old man buying three macaroons in the confectionery department, was suddenly transformed. His eyes flashed with bellicose fire, he turned purple, hurled the little bag of macaroons on the floor, and shouted 'True!' in a child's high voice. Then he snatched up a tray, dirowing from it the remains of the chocolate Eiffel Tower demolished by Behemoth, brandished it, tore the foreigner's hat off with his left hand, and with his right swung and struck the foreigner flat on his bald head with the tray. There was a roll as of the noise one hears when sheets of metal are thrown down from a truck. The fat man, turning white, fell backwards and sat in the barrel of Kerch herring, spouting a fountain of brine from it. Straight away a second miracle occurred. The lilac one, having fallen into the barrel, shouted in pure Russian, with no trace of any accent:

'Murder! Police! The bandits are murdering me!' evidently having mastered, owing to the shock, this language hitherto unknown to him.”

In the meanwhile Behemoth starts pouring oil from his stove which instantly starts burning, and in no time the whole shop reduces to ashes. Koroviev and Behemoth start floating along the ceiling of the shop and then disappear in the form of bubbles.

Whatever Bulgakov is critical about in the society is thus destroyed in fire.

The next target of Koroviev and Behemoth is Griboedov House. We have read about it in chapter No. 5. Griboedov House was the centre of literary and cultural activities of Moscow. Here the writers were ‘grown’. Bulgakov ridicules those ‘Literary Studios’ where writers were ‘made’.

Let’s see what happens here:

“…exactly one minute after the happening in Smolensky market-place, Behemoth and Koroviev both turned up on the sidewalk of the boulevard just by the house of

Griboedov's aunt. Koroviev stood by the fence and spoke:

'Hah! This is the writers' house! You know, Behemoth, I've heard many good and flattering things about this house. Pay attention to this house, my friend. It's pleasant to think how under this roof no end of talents are being sheltered and nurtured.'

'Like pineapples in a greenhouse,' said Behemoth and, the better to admire the cream-coloured building with columns, he climbed the concrete footing of the cast-iron fence.

`Perfectly correct,' Koroviev agreed with his inseparable companion, 'and a sweet awe creeps into one's heart at the thought that in this house there is now ripening the future author of a Don Quixote or a Faust, or, devil take me, a Dead Souls. Eh?'

'Frightful to think of,' agreed Behemoth.

'Yes,' Koroviev went on, 'one can expect astonishing things from the hotbeds of this house, which has united under its roof several thousand zealots resolved to devote their lives to the service of Melpomene, Polyhymnia and Thalia. You can imagine the noise that will arise when one of them, for starters, offers the reading public The Inspector General or, if worse comes to worst, Evgeny Onegin.'

'Quite easily,' Behemoth again agreed.

'Yes,' Koroviev went on, anxiously raising his finger, 'but! ... But, I say, and I repeat this but ... Only if these tender hothouse plants are not attacked by some microorganism that gnaws at their roots so that they rot! And it does happen with pineapples! Oh, my, does it!'

'Incidentally,' inquired Behemoth, putting his round head through an opening in the fence, 'what are they doing on the veranda?'

'Having dinner,' explained Koroviev, 'and to that I will add, my dear, that the restaurant here is inexpensive and not bad at all. And, by the way, like any tourist before continuing his trip, I feel a desire to have a bite and drink a big, ice-cold mug of beer.'

'Me, too,' replied Behemoth, and the two blackguards marched down the asphalt path under the lindens straight to the veranda of the unsuspecting restaurant.

A pale and bored citizeness in white socks and a white beret with a nib sat on a Viennese chair at the corner entrance to the veranda, where amid the greenery of the trellis an opening for the entrance had been made. In front of her on a simple kitchen table lay a fat book of the ledger variety, in which the citizeness, for unknown reasons, wrote down all those who entered the restaurant. It was precisely this citizeness who stopped Koroviev and Behemoth.

'Your identification cards?' She was gazing in amazement at Koroviev's pince-nez, and also at Behemoth's primus and Behemoth's torn elbow.

`A thousand pardons, but what identification cards?' asked Koroviev in surprise.

'You're writers?' the cidzeness asked in her turn.

'Unquestionably,' Koroviev answered with dignity.

"Your identification cards?' the citizeness repeated.

'My sweetie ...' Koroviev began tenderly.

'I'm no sweetie,' interrupted the citizeness.

'More's the pity,' Koroviev said disappointedly and went on; 'Well, so, if you don't want to be a sweetie, which would be quite pleasant, you don't have to be. So, then, to convince yourself that Dostoevsky was a writer, do you have to ask for his identification card? Just take any five pages from any one of his novels and you'll be convinced, without any identification card, that you're dealing with a writer. And I don't think he even had any identification card! What do you think? ' Koroviev turned to Behemoth.

'I'll bet he didn't,' replied Behemoth, setting the primus down on the table beside the ledger and wiping the sweat from his sooty forehead with his hand.

'You're not Dostoevsky,' said the citizeness, who was getting muddled by Koroviev.

'Well, who knows, who knows,' he replied.

`Dostoevsky's dead,' said the citizeness, but somehow not very confidently.

'I protest!' Behemoth exclaimed hotly. 'Dostoevsky is immortal!'

'Your identification cards, citizens,' said the citizeness.

'Good gracious, this is getting to be ridiculous!' Koroviev would not give in. 'A writer is defined not by any identity card, but by what he writes. How do you know what plots are swarming in my head? Or in this head?' and he pointed at Behemoth's head, from which the latter at once removed the cap, as if to let the citizeness examine it better.

'Step aside, citizens,' she said, nervously now.

Koroviev and Behemoth stepped aside and let pass some writer in a grey suit with a tie-less, summer white shirt, the collar of which lay wide open on the lapels of his jacket, and with a newspaper under his arm. The writer nodded affably to the citizeness, in passing put some nourish in the proffered ledger, and proceeded to the veranda.

'Alas, not to us, not to us,' Koroviev began sadly, 'but to him will go that ice-cold mug of beer, which you and I, poor wanderers, so dreamed of together. Our position is woeful and difficult, and I don't know what to do.'

Behemoth only spread his arms bitterly and put his cap on his round head, covered with thick hair very much resembling a cat's fur.

And at that moment a low but peremptory voice sounded over the head of the citizeness:

'Let them pass, Sofya Pavlovna.'

The citizeness with the ledger was amazed. Amidst the greenery, of the trellis appeared the white tailcoated chest and wedge-shaped beard of the freebooter. He was looking affably at the two dubious ragamuffins and, moreover, even making inviting gestures to them. Archibald Archibaldovich's authority was something seriously felt in the restaurant under his management, and Sofya Pavlovna obediently asked Koroviev:

'What is your name?'

'Panaev,'" he answered courteously. The citizeness wrote this name down and raised a questioning glance to Behemoth.

'Skabichevsky,' the latter squeaked, for some reason pointing to his primus. Sofya

Pavlovna wrote this down, too, and pushed the book towards the visitors for them to sign. Koroviev wrote 'Skabichevsky' next to the name 'Panaev', and Behemoth wrote `Panaev' next to 'Skabichevsky'.

Archibald Archibaldovich, to the utter amazement of Sofya Pavlovna, smiled seductively, and led the guests to the best table, at the opposite end of the veranda, where the deepest shade lay, a table next to which the sun played merrily through one of the gaps in the trellis greenery, while

Sofya Pavlovna, blinking with amazement, studied for a long time the strange entry made in the book by the unexpected visitors.

Archibald Archibaldovich surprised the waiters no less than he had Sofya Pavlovna. He personally drew a chair back from the table, inviting Koroviev to sit down, winked to one, whispered something to the other, and the two waiters began bustling around the new guests, one of whom set his primus down on the floor next to his scuffed shoe.

The old yellow-stained tablecloth immediately disappeared from the table, another shot up into the air, crackling with starch, white as a Bedouin's burnous, and Archibald Archibaldovich was already whispering softly but very significantly, bending right to Koroviev's ear:

What may I treat you to? I have a special little balyk here ... bagged at the architects'

congress...'

'Oh ... just give us a bite of something ... eh? ...' Koroviev mumbled good-naturedly, sprawling on the chair.

`I understand ...' Archibald Archibaldovich replied meaningfully, closing his eyes.

`I might recommend a little fillet of hazel-grouse,' Archibald Archibaldovich murmured musically. The guest in the cracked pince-nez fully approved the commander of the brig's suggestions and gazed at him benevolently through the useless bit of glass.

The fiction writer Petrakov-Sukhovey, dining at the next table with his wife, who was finishing a pork chop, noticed with the keenness of observation proper to all writers the wooing of Archibald Archibaldovich, and was quite, quite surprised. And his wife, a very respectable lady, even simply became jealous of Koroviev over the pirate, and even rapped with her teaspoon, as if to say: why are we kept waiting? ... It's time the ice cream was served. What's the matter? ...

However, after sending Mrs Petrakov a seductive smile, Archibald Archibaldovich dispatched a waiter to her, but did not leave his dear guests himself. Ah, how intelligent Archibald Archibaldovich was! And his powers of observation were perhaps no less keen than those of the writers themselves!

Archibald Archibaldovich knew about the seance at the Variety, and about many other events of those days; he had heard, but, unlike the others, had not closed his ears to, the word 'checkered' and the word 'cat'. Archibald Archibaldovich guessed at once who his visitors were. And, having guessed, naturally did not start quarrelling with them.

 Archibald Archibaldovich was a very shrewd person.

It must be said that there was nothing strange or incomprehensible in any of Archibald Archibaldovich's actions, and that they could seem strange only to a superficial observer. Archibald Archibaldovich's behaviour was the perfectly logical result of all that had gone before. A knowledge of the latest events, and above all Archibald Archibaldovich's phenomenal intuition, told the chief of the Griboedov restaurant that his two visitors' dinner, while abundant and sumptuous, would be of extremely short duration. And his intuition, which had never yet deceived the former freebooter, did not let him down this time either.

Just as Koroviev and Behemoth were clinking their second glasses of wonderful, cold, double-distilled Moskovskaya vodka, the sweaty and excited chronicler Boba Kandalupsky, famous in Moscow for his astounding omniscience, appeared on the veranda and at once sat down with the Petrakovs. Placing his bulging briefcase on the table, Boba immediately put his lips to Petrakov's ear and whispered some very tempting things into it. Madame Petrakov, burning with curiosity, also put her ear to Boba's plump, greasy lips. And he, with an occasional furtive look around, went

on whispering and whispering, and one could make out separate words, such as:

'I swear to you! On Sadovaya, on Sadovaya! ...' Boba lowered his voice still more, 'bullets have no effect! ... bullets ... bullets ... benzene ... fire bullets ...'

'It's the liars that spread these vile rumours,' Madame Petrakov boomed in a contralto voice, somewhat louder in her indignation than Boba would have liked, 'they're the ones who ought to be explained! Well, never mind, that's how it will be, they'll be called to order! Such pernicious lies!'

`Why lies, Antonida Porfirievna!' exclaimed Boba, upset by the disbelief of the writer's wife, and again began spinning: 'I tell you, bullets have no effect! ... And then the fire ... they went up in the air ... in the air!' Boba went on hissing, not suspecting that those he was talking about were sitting next to him, delighting in his yarn.

However, this delight soon ceased: from an inner passage of the restaurant three men, their waists drawn in tightly by belts, wearing leggings and holding revolvers in their hands, strode precipitously on to the veranda. The one in front cried ringingly and terribly:

'Don't move!' And at once all three opened fire on the veranda, aiming at the heads of Koroviev and Behemoth. The two objects of the shooting instantly melted into air, and a pillar of fire spurted from the primus directly on to the tent roof. It was as if a gaping maw with black edges appeared in the tent and began spreading in all directions. The fire leaping through it rose up to the roof of Griboedov House. Folders full of papers lying on the window-sill of the editorial office on the second floor suddenly blazed up, followed by the curtains, and now the fire, howling as if someone were blowing on it, went on in pillars to the interior of the aunt's house.

A few seconds later, down the asphalt paths leading to the cast-iron fence on the boulevard, whence Ivanushka, the first herald of the disaster, understood by no one, had come on Wednesday evening, various writers, Sofya Pavlovna, Boba, Petrakov's wife and Petrakov, now went running, leaving their dinners unfinished.

Having stepped out through a side entrance beforehand, not fleeing or hurrying anywhere, like a captain who must be the last to leave his burning brig, Archibald Archibaldovich stood calmly in his summer coat with silk lining, the two balyk logs under his arm.

Reading Master and Margarita - 27

Chapter 27

End of Apartment No.50

We are coming back to Moscow episodes and as usual the transition is smooth…end of previous chapter marks the beginning of this chapter. Well, we understand now, that Bulgakov was always thus trying to make clear that the two epochs were one and the same, the differentiating line almost vanishes!

So, Margarita and Master are back in the basement of Arbat House, Margarita was reading the most favourite lines from Master’s novel and it was already dawn when she reached the lines, “Thus was the dawn of the fifteenth day of Nisan met by the fifth procurator of Judea, Pontius Pilate.”

She was not troubled by memories of having been at Satan's ball, or that by some miracle the master had been returned to her, that the novel had risen from the ashes, that everything was back in place in the basement in the lane, from which the snitcher Aloisy Mogarych had been expelled. In short, acquaintance with Woland had caused her no psychic damage. Everything was as if it ought to have been so.

She went to the next room, convinced herself that the master was soundly and peacefully asleep, turned off the unnecessary table lamp, and stretched out by the opposite wall on a little couch covered with an old, torn sheet. A minute later she was asleep, and that morning she had no dreams. The basement rooms were silent, the builder's whole little house was silent, and it was quiet in the solitary lane.

But just then, that is, at dawn on Saturday, an entire floor of a certain Moscow institution was not asleep, and its windows, looking out on a big asphalt-paved square which special machines, driving around slowly and droning, were cleaning with brushes, shone with their full brightness, cutting through the light of the rising sun.

The whole floor was occupied with the investigation of the Woland case, and the lights had burned all night in dozens of offices.

Essentially speaking, the matter had already become clear on the previous day, Friday, when the Variety had had to be closed, owing to the disappearance of its administration and all sorts of outrages which had taken place during the notorious séance of black magic the day before. But the thing was that more and more new material kept arriving all the time and incessantly on the sleepless floor.

Now the investigators of this strange case, which smacked of obvious devilry, with an admixture of some hypnotic tricks and distinct criminality, had to shape into one lump all the many-sided and tangled events that had taken place in various parts of Moscow.

The first to appear in this office was Arkady Apollonovich Sempleyarov, chairman of the Acoustics Commission.

Arkady Apollonovich spent the whole evening on that same floor where the investigation was being conducted.

It was a difficult conversation, a most unpleasant conversation, for he had to tell with complete sincerity not only about this obnoxious séance and the fight in the box, but along with that - as was indeed necessary - also about Militsa Andreevna Pokobatko from Yelokhovskaya Street, and about the Saratov niece, and about much else, the telling of which caused Arkady Apollonovich inexpressible torments.

Needless to say, the testimony of Arkady Apollonovich, an intelligent and cultivated man, who had been a witness to the outrageous séance, a sensible and qualified witness, who gave an excellent description of the mysterious masked magician himself and of his two scoundrelly assistants, a witness who remembered perfectly well that the magician's name was indeed Woland, advanced the investigation considerably. And the juxtaposition of Arkady Apollonovich's testimony with the testimony of others - among whom were some ladies who had suffered after the séance  and the messenger Karpov, who had been sent to apartment no.50 on Sadovaya Street - at once essentially established the place where the culprit in all these adventures was to be sought.

Apartment no.50 was visited, and not just once, and not only was it looked over with extreme thoroughness, but the walls were also tapped and the fireplace flues checked, in search of hiding places. However, none of these measures yielded any results, and no one was discovered in the apartment during any of these visits, though it was perfectly clear that there was someone in the apartment, despite the fact that all persons who in one way or another were supposed to be in charge of foreign artistes coming to Moscow decidedly and categorically insisted that there was not and could not be any black magician Woland in Moscow.

He had decidedly not registered anywhere on arrival, had not shown anyone his passport or other papers, contracts, or agreements, and no one had heard anything about him! Kitaitsev, head of the programme department of the Spectacles Commission, swore to God that the vanished Styopa Likhodeev had never sent him any performance programme of any Woland for approval and had never telephoned him about the arrival of such a Woland. So that he, Kitaitsev, utterly failed to see and understand how Styopa could have allowed such a séance in the Variety. And when told that Arkady Apollonovich had seen this magician at the séance with his own eyes, Kitaitsev only spread his arms and raised his eyes to heaven. And from Kitaitsev's eyes alone one could see and say confidently that he was as pure as crystal.

Prokhor Petrovich who had reappeared in his suit as soon as the police entered his cabinet, could not tell anything.

Rimsky was traced in Leningrad, he denied to depose anything, he was brought back to Moscow in tight security; Likhodeev also reached Moscow by plane from Yalta…Varenukha was traced two days later.

Despite the promise he had given Azazello not to lie any more, the administrator began precisely with a lie.

The administrator spoke without the assistance of this apparatus. His eyes wandering, Ivan Savelyevich declared that on Thursday afternoon he had got drunk in his office at the Variety, all by himself, after which he went somewhere, but where he did not remember, drank starka somewhere, but where he did not remember, lay about somewhere under a fence, but where he again did not remember. Only after the administrator was told that with his behaviour, stupid and senseless, he was hindering the investigation of an important case and would of course have to answer for it, did Varenukha burst into sobs and whisper in a trembling voice, looking around him, that he had lied solely out of fear, apprehensive of the revenge of Woland's gang, into whose hands he had already fallen, and that he begged, implored and yearned to be locked up in a bullet-proof cell.

In the meantime, there was some bother with things happening in other parts of Moscow, outside the Variety Theatre. It was necessary to explain the extraordinary case of the staff all singing `Glorious Sea' (incidentally: Professor Stravinsky managed to put them right within two hours, by means of some subcutaneous injections), of persons presenting other persons or institutions with devil knows what in the guise of money, and also of persons who had suffered from such presentations.

As goes without saying, the most unpleasant, the most scandalous and insoluble of all these cases was the case of the theft of the head of the deceased writer Berlioz right from the coffin in the hall of Griboedov's, carried out in broad daylight.

Twelve men conducted the investigation, gathering as on a knitting-needle the accursed stitches of this complicated case scattered all over Moscow.

One of the investigators arrived at Professor Stravinsky's clinic and first of all asked to be shown a list of the persons who had checked in to the clinic over the past three days. Thus they discovered Nikanor Ivanovich Bosoy and the unfortunate master of ceremonies whose head had been torn off.

However, little attention was paid to them. By now it was easy to establish that these two had fallen victim to the same gang, headed by that mysterious magician. But to Ivan Nikolaevich Homeless the investigator paid great attention.

Ivan was now quite indifferent to things happening around him, but still he gave a correct version of Berlioz’s death.

There was already a lot of material, and it was known who had to be caught and where.

But the thing was that it proved in no way possible to catch anyone. We must repeat, there undoubtedly was someone in the thrice-cursed apartment no.50. Occasionally the apartment answered telephone calls, now in a rattling, now in a nasal voice, occasionally one of its windows was opened, and what’s more, the sounds of a gramophone came from it. And yet each time it was visited, decidedly no one was found there. And it had already been visited more than once and at different times of day. And not only that, but they had gone through it with a net, checking every corner. The apartment had long been under suspicion. Guards were placed not just at the way to the courtyard through the gates, but at the back entrance as well. Not only that, but guards were placed on the roof by the chimneys. Yes, apartment no.50 was acting up, and it was impossible to do anything about it.

So the thing dragged on until midnight on Friday, when Baron Meigel, dressed in evening clothes and patent-leather shoes, solemnly proceeded into apartment no.50 in the quality of a guest. One could hear the baron being let in to the apartment. Exactly ten minutes later, without any ringing of bells, the apartment was visited, yet not only were the hosts not found in it, but, which was something quite bizarre, no signs of Baron Meigel were found in it either.

Annushka was arrested just as she made an attempt to hand a ten-dollar bill to the cashier of a department store on the Arbat. Annushka's story about people flying out the window of the house on Sadovaya and about the little horseshoe which Annushka, in her own words, had picked up in order to present it to the police, was listened to attentively.

The horseshoe was really made of gold and diamonds?' Annushka was asked.

'As if I don't know diamonds,' replied Annushka.

'But he gave you ten-rouble bills, you say?'

'As if I don't know ten-rouble bills,' replied Annushka.

'Well, and when did they turn into dollars?'

'I don't know anything about any dollars, I never saw any dollars!' Annushka replied shrilly.

'I'm in my rights! I got recompensed, I was buying cloth with it,' and she went off into some balderdash about not being answerable for the house management that allowed unclean powers on to the fifth floor, making life unbearable.

Here the investigator waved at Annushka with his pen, because everyone was properly sick of her, and wrote a pass for her to get out on a green slip of paper, after which, to everyone's pleasure, Annushka disappeared from the building.

Then there followed one after another a whole series of people, Nikolai Ivanovich among them, just arrested owing solely to the foolishness of his jealous wife, who towards morning had informed the police that her husband had vanished. Nikolai Ivanovich did not surprise the investigators very much when he laid on the table the clownish certificate of his having spent the time at Satan's ball.

In his stories of how he had carried Margarita Nikolaevna's naked housekeeper on his back through the air, somewhere to hell and beyond, for a swim in a river, and of the preceding appearance of the bare Margarita Nikolaevna in the window, Nikolai Ivanovich departed somewhat from the truth.

At around four o'clock on that hot day, a big company of men in civilian clothes got out of three cars a short distance from no.502-bis on Sadovaya Street. Here the big group divided into two small ones, the first going under the gateway of the house and across the courtyard directly to the sixth entrance, while the second opened the normally boarded-up little door leading to the back entrance, and both started up separate stairways to apartment no.50.

The ones going up the front stairway were already on the third-floor landing. There a couple of plumbers were pottering over the harmonica of the steam heating. The newcomers exchanged significant glances with the plumbers.

'They're all at home,' whispered one of the plumbers, tapping a pipe with his hammer.

Then the one walking at the head openly took a black Mauser from under his coat, and another beside him took out the skeleton keys. Generally, those going to apartment no.50 were properly equipped. Two of them had fine, easily unfolded silk nets in their pockets. Another of them had a lasso; another had gauze masks and ampoules of chloroform.

In a second the front door to apartment no.50 was open and all the visitors were in the front hall, while the slamming of the door in the kitchen at the same moment indicated the timely arrival of the second group from the back stairs.

This time there was, if not complete, at least some sort of success.

The men instantly dispersed through all the rooms and found no one anywhere, but instead on the table of the dining room they discovered the remains of an apparently just-abandoned breakfast, and in the living room, on the mantelpiece, beside a crystal pitcher, sat an enormous black cat. He was holding a primus in his paws.

A very fierce firing takes place between the cat and the investigators, in which, strangely, no one is injured.

The Sun is about to set.

One more attempt was made to get hold of the cat. The lasso was thrown, it caught on one of the candles, the chandelier fell down. The crash seemed to shake the whole structure of the house, but it was no use. Those present were showered with splinters, and the cat flew through the air over them and settled high under the ceiling on the upper part of the mantelpiece mirror's gilded frame. He had no intention of escaping anywhere, but, on the contrary, while sitting in relative safety, even started another speech:

`I utterly fail to comprehend,' he held forth from on high, 'the reasons for such harsh treatment of me...'

And here at its very beginning this speech was interrupted by a heavy, low voice coming from no one knew where:

"What's going on in the apartment? They prevent me from working...'

Another voice, unpleasant and nasal, responded:

'Well, it's Behemoth, of course, devil take him!'

A third, rattling voice said:

'Messire! It's Saturday. The Sun is setting. Time to go.'

'Excuse me, I can't talk anymore,' the cat said from the mirror, 'time to go.' He hurled his Browning and knocked out both panes in the window. Then he splashed down some benzene, and this benzene caught fire by itself, throwing a wave of flame up to the very ceiling. Things caught fire somehow unusually quickly and violently, as does not happen even with benzene. The wallpaper at once began to smoke, the torn-down curtain started burning on the floor, and the frames of the broken windows began to smoulder. The cat crouched, miaowed, shot from the mirror to the window-sill, and disappeared through it together with his primus.

Shots rang out outside. A man sitting on the iron fire-escape at the level of the jeweller's wife's windows fired at the cat as he flew from one window-sill to another, making for the corner drainpipe of the house which, as has been said, was built in the form of a 'U'. By way of this pipe, the cat climbed up to the roof. There, unfortunately also without any result, he was shot at by the sentries guarding the chimneys, and the cat cleared off into the setting sun that was flooding the city.

Just then in the apartment the parquet blazed up under the visitors' feet, and in that fire, on the same spot where the cat had sprawled with his sham wound, there appeared, growing more and more dense, the corpse of the former Baron Meigel with upthrust chin and glassy eyes. To get him out was no longer possible.

Leaping over the burning squares of parquet, slapping themselves on their smoking chests and shoulders, those who were in the living room retreated to the study and front hall. Those who were in the dining room and bedroom ran out through the corridor. Those in the kitchen also came running and rushed into the front hall. The living room was already filled with fire and smoke.

Someone managed, in flight, to dial the number of the fire department and shout briefly into the receiver:

'Sadovaya, three-oh-two-bis! ...'

To stay longer was impossible. Flames gushed out into the front hall. Breathing became difficult.

As soon as the first little spurts of smoke pushed through the broken windows of the enchanted apartment, desperate human cries arose in the courtyard:

'Fire! Fire! We're burning!'

In various apartments of the house, people began shouting into telephones:

'Sadovaya! Sadovaya, three-oh-two-bis!'

Just then, as the heart-quailing bells were heard on Sadovaya, ringing from long red engines racing quickly from all parts of the city, the people rushing about the yard saw how, along with the smoke, there flew out of the fifth-storey window three dark, apparently male silhouettes and one silhouette of a naked woman.

Reading M. Bulgakov's 'Master and Margarita' - Book

Hi!

I have compiled all these chapters and got it digitally published at http://www.bhashavidha.com/


Please visit the portal. There are some other translations of Children's stories done by me. They too are there (in Hindi):

 सिर्योझा
शरारती बच्चे,
अजीब सच
कुछ हँसी,कुछ ख़ुशी